That Drifting Excrement Was Far Too Symbolic! These Are the Television Disappointments of the Past Year.

Looking back, we consider the television offerings of the past year, a handful of shows stand out not for their excellence, but for their notable failures. Ranging from cringe-inducing sequels to confusingly bad documentaries, here are the programmes that left us utterly bewildered or simply reaching for the remote.

And Just Like That

Where to begin with this love/hate follow-up? Burdened with woeful scripts, cringe-inducing arcs (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the show struggled to find its footing. Briefly, as the third series began, it looked like it had at last found its groove. Then arrived an installment centered on Seema’s natural deodorant. No wonder the showrunner declared this would be the final season. It concluded on a low point; the lingering shot of Miranda’s loo flooded with poo was simply too on-the-nose. Still, viewers undeniably had a hoot picking apart every single “wtf?” moment. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who couldn't let out a little sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was almost the smallest of this show's issues. The recipient of a very rare no-star review, it was hard to know where to start listing the flaws. The laughably leaden dialogue? The mind-numbing veneration of affluence and consumption? The seemingly deliberate parade of cliches? Acting so poor they felt borderline malicious? Suffice it to say “all of the above” and never speak of this series again. However, a new season has been ordered, so we’re likely going to have to.

AKA Charlie Sheen

Given the legal troubles, abuse claims and parental shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d really have gleaned it from this multi-part documentary which smirked its way at Sheen’s various bouts of self-destructive hedonism while struggling to tell us a single thing we didn’t already know. Instead, it felt as if this volatile personality was being pandered to, so any sympathy this show might evoke should be reserved for the people who have had to suffer proximity with this charming but flippant egotist.

The Iris Affair

Naturally we knew it was ridiculous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of sheer admiration for its leads … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. Talk about admitting defeat.

The Gangster Drama

Dodgy characters convening in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.

In truth, that is unfair on the crime shows of the late 90s. Many seem a little old-fashioned now, but at least they didn’t suffer the ignominy of having to accommodate baffling accents. But there were many other problems. Primarily that it was just really dull; a dispute over narcotics territory between various London picaresques which felt a bit basic.

The Meghan Markle Series

Considering the extent to which she grinds the gears of certain performatively enraged commentators, it’s almost tempting to admire the Duchess of Sussex’s televised forays into twee lifestyle as intentional provocations. But then you watch them and are compelled to concede that in this case, they may have a point. It’s like watching a lifestyle catalogue come to life; a poster for wine o’clock with delusions of grandeur; a procession of snoozing dogs, buzzing beehives, Hallmark sayings and pointless crafting “tips” you’ll not remember instantly. All underpinned by vast, mostly undeserved wealth. Ugh.

Victoria Beckham

There are clearly fascinating things to be said about regarding Victoria Beckham and her struggles with vocation, identity, self-acceptance. But for some reason, this three-part series opted not to explore them. Instead, the viewing was like consuming a sales catalogue. She clearly has good reason to resent what she describes as her “miserable cow” image. But unfortunately, she didn’t do herself any favours with this guarded letdown of a series.

The Inheritance

It had the potential to be the next cultural phenomenon – except even more extravagant, with a famous star playing dead and a well-known personality managing her estate. What more could you ask for? As contestants competed, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s even now too confusing to explain what exactly was happening. Even more disappointingly, we only saw glimpses of the star via prerecorded videos. The series ended up smelling of a production that was straining desperately to live up to something far greater than it.

The Lena Dunham Romcom

How do you follow a show that defined a generation? The pressure was enormous for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The star seized the opportunity by the horns and was a delight to watch, embodying Austen levels of romantic ideals. But it was all very glossy and, ironically, was not enough. Plus, the sheer amount of celebrity friends involved felt uncomfortable.

The Sketch Show Return

Not even good enough to be ‘uneven’.

Given the shrewd recruitment of gifted younger comics, expectations were high. But sadly, most of it didn’t land. A recurring sketch was a single joke milked to a dry pulp but recurring in every episode. One star seemed too ready to slip into a well-known ranting mode. The behind-the-scenes sketches, meanwhile, simply inspired the idea that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this was not it. The material needed to be handled sensitively. Rather, the series laboured awkwardly to find the right tone, lumbering from strangely jaunty, slightly stylised farce to inevitably, real-life horror. Complex? Perhaps. A complete mess? Absolutely.

The Maths Genius Thriller

We admire the star … but did we believe him playing the greatest maths genius in history, a man so intelligent he’s on the verge of a discovery that could destabilise society? No! This international thriller about secret services targeting – and eliminating – intellectuals honestly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the content creator renowned for explicit escapades as she undertook her most extreme feat yet. What on earth would motivate her? What we wanted was far greater interrogation of her actual psyche, plus those of the men in the line. They could at least have spoken to the now-famous mum who showed up to drag her son out of the queue. What we got was horrific imagery and absolutely no critical analysis of her notoriety whatsoever. And to think, the filmmaker has a young daughter too.

Belinda Gonzalez
Belinda Gonzalez

A passionate writer and life coach dedicated to sharing transformative experiences and empowering others through storytelling.